Going to the Chapel!

Today was a big day for the ladies of LUPEC Boston. No, it's not because we're so excited about Women's History Month starting tomorrow we can't even stand it! It's because one of LUPEC Boston's very own tied the knot today!

That's right, today Miss Contessa became a Mrs. She and her beloved just couldn't let Leap Day go by without doing something special...so they got hitched this morning at city hall! Then it was off to Harvard Square to get matching nuptial tattoos.

A very special wedding reception was held in their honor this afternoon at Silvertone. LUPEC Boston was very well represented. We were positively overjoyed when the bride & groom made their grand entrance , looking as picture perfect as the figurines atop a wedding cake.

Let's raise a glass of one of these to the nuptial couple this weekend!

Tin Wedding Cocktail

1 oz brandy

3/4 oz sweet vermouth

3/4 oz gin

2 dashes orange bitters

Stir in mixing glass with ice & strain. Serve in a cocktail glass.

Wedding Belles

3/4 oz gin

3/4 oz Red Dubonnet

1/2 oz orange juice

1/2 oz cherry flavored brandy

Shake in iced cocktail shaker & strain. Serve in a cocktail glass.

LUPEC president nominated as Boston's Best Bartender!

We are SO thrilled that LUPEC's very own Misty Kalkofen has been nominated by the Phoenix for the title of Boston's best bartender!

At least we think they mean Misty...they nominated someone named Rusty Kalkofen from Green Street for the award. Unless Misty has an evil, equally competent bartending twin, we're going to go ahead and assume this is a typo.

Click thru here to vote for for Misty, our fearless LUPEC leader and the only woman on the list!

Chin-chin!

Nina Simone: The High Priestess of Song

by MiMi

Protest singer, jazz vocalist, pianist, temperamental diva and American civil rights heroine, Nina Simone remains one of the most important musicians in American music history.

Born Eunice Kathleen Waymon on February 21 in 1933, Simone started playing the piano at the age of four, and made her concert debut when she was just ten years old. During her recital, her parents were moved to the back of the hall to make room for white people. She refused to play until they were brought back to the front.

She wanted to be the first black concert pianist and was one of the first black women to be classically trained at Julliard. She started playing jazz and pop music in clubs in the mid-1950’s while at Julliard to supplement her income, changing her name to Nina Simone, possibly to protect her classical standing. She never intended to sing, but started when a club manager told her she would lose her job if she didn’t. She became instantly popular, and was known for her inventive style that incorporated jazz, Bach, pop, soul, folk, gospel, and show tunes.

She had a majestic onstage presence, and was known for her love/hate relationship with the audience. She sang with such raw power and soul; if you didn’t like it, you could get out.
She paid great attention to the musical expression of emotions, and could range from intense highs to melancholy tragedy in a single concert or album. She was diagnosed with bi-polar disorder in the sixties, but it was kept secret until after she died.

Simone recorded over forty albums over the course of her life, each progressing in artistic control over the next one. She becomes more and more vocal about racial prejudice over the years; after 1964 the civil rights message became standard in her recording repertoire.
She recorded songs such “Mississippi Goddam” – her response to the bombing of a church that killed four black children and covered “Strange Fruit” – Billie Holiday’s anthem about lynchings of black men in the south. After Martin Luther King, Jr. was murdered she sang “Why? The King of Love is Dead.” She turned Lorraine Hansberry’s play “To Be Young, Gifted and Black” into a civil rights song. This song became the “National Anthem of Black America.”

When you raise a glass to toast the weekend, let's toss one back for the late, great Nina Simone, whose birthday was yesterday and whose legacy lives on in song!

Chorus Lady
Juice of 1/4 orange
1/3 Gin
1/3 French Vermouth
1/3 Italian Vermouth

Shake well and strain into a medium glass, add slice of orange and a cherry.

LUPEC + Imbibe!

Check out the Jan/Feb issue of IMBIBE! Magazine, where LUPEC gets a shout out in the "Uncorked" column on p.18!

Thanks for the shout-out, IMBIBE! Here's to bringing back classics for a whole new generation of drinkers, Hanky Panky style!

By Jove! Now That's The Real Hanky-Panky

by Pinky Gonzales

Ada Coleman, American Bar, London

Hanky-Panky (n. slang)

Various definitions from the Oxford English to the American Heritage Dictionaries include "questionable or underhanded activity", "sexual dalliance", "trickery, double-dealings", shenanigans", "hocus-pocus".

I like the Hanky-Panky. It's got a great backstory, mysterious etymology, association with our president (LUPEC Boston's that is, not the doofball in D.C.), and is simply a fine cocktail, back from the brink of extinction.

First of all, our own "Hanky Panky" (her LUPEC alias) has turned another year older this week, so from all of us, HP: Happy Birthday! And while she may be down in NYC engaging in first-class shenanigans, here at the blog we're spinning old records, nibbling groovy party snacks, and meditating on the origins of the following drink (whip one up & join us):

Hanky-Panky (the original, from the Savoy Cocktail Book)

2 Dashes Fernet Branca

1/2 Italian Vermouth

1/2 Dry Gin

Shake well and strain into a cocktail glass. Squeeze orange peel on top.

or, two:

Hanky-Panky (recipe courtesy of John Gertsen)

1/4 oz. Fernet Branca

1 oz. Cinzano Rosso

2 oz. Beefeater Gin

Stir and strain into a cocktail glass. Squeeze the oil from an orange peel on top.

The drink, created in the 1920's, is a variation on the original (sweet) Martini. It nicely utilizes the herbalicious Italian liqueur Fernet Branca. In spirit, it reminds me of another punchy drink with a potentially-overwhelming-but-not herbal liqueur element, the Alaska, made with Chartreuse.

According to it's word origins at mindlesscrap.com , "About 150 years ago, British master magicians used to swing handkerchiefs with one hand to keep viewers from noticing what they were doing with the other. This practice was so common that the use of a hanky came to be associated with any clandestine or sneaky activity. It's thought that since magicians used the words hocus-pocus, a rhyming word was added to give it pizzazz."

Who created the Hanky Panky? The first head barman at the famed American Bar in London, who happened to be a broad named Ada Coleman. As the story goes, "Coley", a mixologist of reputable character who could trash-talk with the best of them, invented the drink for a colorful bar regular. Coleman spoke of it herself, to a London newspaper in 1925:

"The late Charles Hawtrey ... was one of the best judges of cocktails that I knew. Some years ago, when he was overworking, he used to come into the bar and say, 'Coley, I am tired. Give me something with a bit of punch in it.' It was for him that I spent hours experimenting until I had invented a new cocktail. The next time he came in, I told him I had a new drink for him. He sipped it, and, draining the glass, he said, 'By Jove! That is the real hanky-panky!' And Hanky-Panky it has been called ever since."

Coleman worked at the American Bar at the swank Savoy Hotel from 1903-1926, during the cocktail's coming-out era in Europe. Owners renamed their establishments "American Bars" as a selling point - a way of distinguishing them from mere pubs or gin-&-tonic joints. The American craft of mixing up Sazeracs, Martinis, Ramos Gin Fizzes and the like became all the rage. Coleman's barstools saw the likes of Charlie Chaplin, Marlene Dietrich, WC Fields, Prince of Wales, and Mark Twain. I wonder if Twain was sitting at Ada's bar when he wrote: “The cheapest and easiest way to become an influential man and be looked up to by the community at large was to stand behind a bar, wear a cluster diamond pin, and sell whiskey. I am not sure but that the saloon-keeper held a shade higher rank than any other member of society.”

Bartender Harry Craddock filled Ada's role managing the bar in 1924, after he had left dry America for work abroad. In 1930, he published "The Savoy Cocktail Book", an Art Deco gem & many a bartender's Bible. In it, for the first time is the printed recipe for the Hanky-Panky.

And speaking of Bibles, check out this theory on the origin of the term hanky-panky:

"It's been plausibly suggested that hocus-pocus is a corruption of the genuine Latin words hoc est enim corpus meum, "for this is my body," spoken during the consecration of the Roman Catholic Mass when the wine and wafer are said to be transformed into the body and blood of Christ. Some experts, presumably non-Catholic, think hocus-pocus itself was then corrupted into the word hoax." (Cecil Adams, from The Straight Dope)

The Catholic Church, hocus-pocus. Ada Coleman, Hanky Panky. Shenanigans. I'll drink to that.

Hanky Panky, a.k.a. Misty Kalkofen, Head Barman at Green Street, Cambridge MA
(Photo courteousy of Matt Demers)

Love and other stuff!

It's the romantic day of the year...according to Hallmark, anyway.

Love it or hate it, Valentine's Day gives us all good reason to kick back a few. Here are some LUPEC approved vaguely pink concoctions to get you through:

Bourbon Belle suggests...

The French Velvet

In a champagne flute add equal parts

Guinness

Champagne or Sparkling Wine

.25 oz Chambord

Sounds like a delightfully butch take on V-Day, n'est-ce pas? Thanks, BB!

Moscow Mule didn't think Sex on the Beach sounded dreamy & romantic enough. Instead, try...

Bachelor's Bait

1 1/2 oz gin

1 egg white

1 dash orange bitters

1/4 grenadine

Shake in iced cocktail shaker & strain. Serve in a cocktail glass.

Is it bait for the bachelor or bait for the objet d'amour? Thanks, MM!

Now let's all raise a glass to love and the color pink!

MIT breakthrough: A woman president

Famous MIT alumna Shirley Ann Jackson, who is now the president of Rensselaer Polytechnic Institute, congratulates President Susan Hockfield on her inauguration

by Barbara West

May 6, 2005 was a milestone for broads in science and engineering.
That's the day Susan Hockfield, a noted neuroscientist, was inaugurated
as the Massachusetts Institute of Technology's first female president.

Perhaps surprisingly, less has been made of the fact that Dr. Hockfield
is a woman than the fact that she is the first life scientist to lead
MIT. When she was named president, the New York Times noted drolly,
"there was talk that M.I.T. was breaking new ground. What would it
mean, many wondered, if one of the world's leading citadels of physics,
electrical engineering and other hard sciences were led for the first
time by - a biologist?"

Before coming to MIT, Dr. Hockfield was a professor of neurobiology and
provost of Yale University. Her research focused on the development of
the brain and on glioma, a deadly kind of brain cancer. Under her
leadership, MIT has launched major research initiatives focusing on two
of society's great challenges: cancer and energy.

Even as she downplayed her gender, Dr. Hockfield was compelled to
respond, shortly after her inauguration, to then-Harvard University
President Lawrence Summers' suggestion that one reason for the relative
scarcity of women at the upper ranks of science might be an innate
lesser ability.

"Marie Curie exploded that myth," Dr. Hockfield and two other
university presidents, Shirley Tilghman of Princeton and John Hennessy
of Stanford, wrote in an op-ed piece that appeared in the Boston Globe.
But women need "teachers who believe in them," they went on, and low
expectations of women "can be as destructive as overt discrimination."

It should be noted that Dr. Hockfield's arrival at MIT furthered a
shift that started at the Institute in 1999. That's the year when MIT
issued a report concluding that women there suffered from widespread if
unintentional discrimination, and it pledged to work toward gender
parity. The main force behind that report was MIT biologist Nancy
Hopkins, who literally took a tape measure to her and her female
colleagues' lab space to show the MIT administration that the women
were being allotted fewer resources than their male counterparts. So,
to toast the woman who jump-started MIT's new wave of broads, drink one
of these:

Lady Hopkins Cocktail

1 1/2 oz Southern Comfort
1/2 oz passion fruit
3/4 oz fresh lime juice

Shake in an iced cocktail shaker & strain into a cocktail glass. Add cherry, orange slice, mint sprig.

Raiders of the Lost Cocktail: The Mimi

Raiders of the Lost Cocktail, anyone? This event, hosted by The Spirit World, was designed to:

"...re-examine some of the slightly more obscure products which might be gathering dust on the shelves of bars across America (if not the world), and to see if our intrepid little band of explorers can uncover some forgotten gems of recipes which might breathe new life into those products."

We'll drink to that!

This month's theme is Apricot Brandy, and it just so happens that the namesake cocktail of one of our founding broads features this nearly forgotten ingredient. On behalf of the ladies of LUPEC Boston, I present to you: The MiMi! It's most delicious.

MiMi
Courtesy, Hotel Georges V, Paris

1 teaspoon lemon juice
2 dashes grenadine
1/5 apricot brandy
3/5 gin
2 drops cognac
1 egg white

Rub rim of small wine glass with slice of lemon. Dip edge into powdered sugar. Shake ingredients with ice, and strain into glass.

From Ted Saucier's Bottom's Up, copyright 1951.

Cin-cin, all!

Atten-Hut!

It's Mixology Monday again! This month we are, with our host Jimmy's Cocktail Hour, exploring Variations.

Here in Boston the ladies of LUPEC have been very excited with the recent availability of the Rothman and Winter Creme de Violette. It's always thrilling to have a new product available, but in this case this is a new old product which opens up yet another window into cocktail past. In honor of our new favorite spirit we are going to take a look at three cocktails featuring gin, creme de violette, absinthe and french vermouth.

Within my modest collection of cocktail tomes I found the first recipe for the Atty Cocktail in The Savoy Cocktail Book.
ATTY COCKTAIL
1/4 French Vermouth
3 dashes Absinthe
3/4 Dry Gin
3 dashes Creme de Violette
Shake well and strain into a cocktail glass.
Now we adore all of the ingredients in this cocktail and think it is delicious. However when looking for a cocktail to showcase the Creme de Violette this would not be our first choice so let's continue on to some other variations...

Thumbing through Patrick Gavin Duffy's Official Mixer's Manual we find the Attention Cocktail.
ATTENTION COCKTAIL
1/4 French Vermouth
1/4 Absinthe
1/4 Gin
1/4 Creme de Violette
2 Dashes Orange Bitters
Stir well with cracked ice and strain.
Once again, all things we love, but equal parts doesn't really work for us. The strength of the Absinthe overpowers the other ingredients.

Jones' Complete Bar Guide has the following recipe:
ATTENTION
1 oz gin
1/2 oz Pernod
1/2 oz dry vermouth
1/2 oz creme de violette
2 dashes orange bitters
Ah...we're getting closer. The increase in the base spirit created a nice platform for the other flavors. Truth be told, we used Ricard instead of Pernod...desperate times call for desperate measures. The Ricard still was a bit powerful, but seemed to complement the Creme de Violette rather than battle it as was the case with Absinthe.

Sticking with Mr Jones we find the Arsenic and Old Lace. From the name alone we have very high hopes!
ARSENIC AND OLD LACE
1-1/2 oz Gin
1/2 oz Absinthe or substitute
1/4 oz dry vermouth
1/2 oz creme de violette
Once again we used Ricard and it was good, but we miss the bitters.

So in conclusion, there is no conclusion. As women dedicated to our cause we will happily continue our research!

Cheers!

Oh my goodness! I almost forgot two very important things!

A huge shout out to Eric Seed, the man behind the availability of Creme de Violette. Besides having the cutest daughter in the world who claps when she eats head cheese, through Haus Alpenz he is making amazing products available to us! Please check out his website and encourage your local retailers and bars to carry his products.

For an updated variation on the Arsenic and Old Lace head over to this post on Cocktail Chronicles where Paul Clarke checks out Simon Difford's Flower Power Martini.

You're Not Alone

Just a quick one here to fill you in on a fun, music-filled way in which to help Al "Carnival Time" Johnson! On Mardi Gras the New Orleans based brass funk outfit Bonerama released an EP in collaboration with OK Go entitled You're Not Alone. The EP is available on iTunes and will benefit Al "Carnival Time" Johnson (who joins in on one track) and Sweet Home New Orleans.

For a taste of the EP check out Bonerama and Damian Kulash of OK Go on Letterman this Monday, February 11th!

Laissez Les Bon Temps Roulez!

Today the streets of New Orleans are flooded with revelers for the culmination of Carnival, Mardi Gras. The city 's population has doubled as tourists have flooded in to scurry for beads and doubloons thrown from floats as krewes snake through the city. We, the ladies of LUPEC, would like to raise our glasses to the Krewe of Muses, the only all female krewe.

Formed in 2000, the Krewe of Muses has over 1100 members. The Krewe was created to celebrate the nine muses, the Greek goddesses who presided over the arts and sciences. The daughters of Zeus and Mnemosyne, they are believed to inspire artists, especially poets, philosophers, and musicians.

Each year the Krewe of Muses selects one of the nine muses for the season. The Krewe then selects an honorary muse, a woman who embodies the spirit of that muse by having made a significant contribution to New Orleans in the area that muse represents. This year the Krewe celebrated Polymnia, the muse of sacred song, and honored Marva Wright, Louisiana's Blues Queen.

On January 31, the Krewe of Muses presented a 26 float procession entitled Muses Night Fever. Sporting their famous hand-deocrated glitter shoes, the ladies discoed their way through the garden district pleasing the crowd with unique throws, including Rubik's Cube beads and disco balls.

Let us raise our glasses to the Krewe of Muses!

New Orleans
1.5 oz Bourbon
1 dash Orange Bitters
2 dashes Angostura Bitters
.25 oz Anisette
.25 oz Pastis
Sugar to taste
Stir ingredients with ice. Strain into a chilled cocktail glass. Garnish with a lemon twist

Cheers!

doesn't anyone want to know how MY drink is?

From Amazon.com's description of Eric Felten's How's Your Drink?

Based on the popular feature in the Saturday Wall Street Journal, How's Your Drink illuminates the culture of the cocktail. Cocktails are back after decades of decline, but the literature and lore of the classics has been missing. John F. Kennedy played nuclear brinksmanship with a gin and tonic in his hand. Teddy Roosevelt took the witness stand to testify that six mint juleps over the course of his presidency did not make him a drunk. Ernest Hemingway and Raymond Chandler both did their part to promote the gimlet. Fighting men mixed drinks with whatever liquor could be scavenged between barrages, raising glasses to celebrate victory and to ease the pain of defeat. Eric Felten tells all of these stories and many more, and also offers exhaustively researched cocktail recipes. How’s Your Drink is an essential addition to the literature of spirits and a fantastic holiday gift for husbands and fathers.

Husbands and fathers? What about sisters, mothers and wives? I'd have LOVED to have received a copy of this wonderful book in my Christmas stocking, (with any luck, my sweetie will read this post and consider getting it for me for Valentine's Day) but after reading this little blurb of copy, I'm not sure I'm allowed!

Eric Felten's How's Your Drink pubbed this fall and I had the good fortune to page through Contessa's copy shortly after it came out. It's a great little book, but I'm shocked to see how blatantly excluded I and my fellow drinking broads have been from the publishing company's marketing campaign.

I used to work in-house at a publishing house and I realize that Amazon uploads book description copy written impossibly early in the publishing process. I also know that Amazon is notoriously slow about making changes to said copy: so even if the publisher did want to broaden the scope of this marketing blurb, it might take them six to eight months to do it. But, come on, people! Last time I checked women aged 18-35 represented one of the most powerful purchasing demographics in the marketplace. Why so blatantly exclude us from your marketing campaign?

Fortunately, I know the book rocks, and plan to buy it anyway, thanks to the all-women's cocktail society to which I happily belong.

Cin-cin!

It's Carnival Time!

It's that time of year when one of our favorite cities becomes a hot bed of fun! All over New Orleans tourists are swarming, costumes are being donned and krewes are lining up as Mardi Gras arrives! In honor of this annual celebration we want to introduce you to one of our favorite NOLA broads and a cause dear to her heart that will be instrumental in keeping the sounds of New Orleans alive.

Last summer during my annual New Orleans pilgrimage I had the pleasure of meeting Elisa Speranza. A native Bostonian, Elisa fell in love with NOLA during her annual trips to Jazz Fest. She describes the city as "not like anyplace else on earth." Approximately five and a half years ago she made the move and relocated.

For the last seven years Elisa has worked for CH2M Hill, a full-service engineering, consulting, construction and operations company. Working in both the governmental and industrial sectors, CH2M Hill handles everything from transportation and infrastructure projects to the construction of power generation facilities to disaster relief. Elisa, as a Vice President in the Water Business Group, is head of the management consulting team and does work for municipal water/wastewater facilities domestically and abroad.

Elisa is dedicated to community service both locally and globally. She serves as Vice President of Water for People, a non-profit organization that facilitates water, sanitation, and hygiene projects in developing countries and is active with Save the Wetlands and the Arabi Wrecking Krewe.

The Arabi Wrecking Krewe, Inc is a not for profit organization dedicated to preserving the music and culture of New Orleans. The Krewe is assisting musicians with all post-Katrina needs in order that they can return to New Orleans. Currently they are raising funds to build Al "Carnival Time" Johnson a new home.

Al "Carnival Time" Johnson penned one of New Orleans most popular anthems. "Carnival Time" became synonymous with Mardi Gras and the spirit of NOLA. Unfortunately, for the first thirty years of it's existence, Al received no royalties for his famous hit. After Katrina destroyed his home in the Lower Ninth Ward, Al left for Houston. The Arabi Wrecking Krewe, realizing the importance of music in the history and soul of New Orleans, is raising funds to build a new home for Al in the Musician's Village.

So during this Carnival we raise our glasses and hopefully some funds. Here's to you Elisa and Al!

Vieux Carre
1 oz Rye
1 oz Brandy
1 oz Italian Vermouth
1 tsp Benedictine
2 dashes Peychaud Bitters
2 dashes Angostura Bitters
Stir all ingredients with ice. Strain into a chilled cocktail glass. Garnish with a lemon twist.
Cheers!